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How many times do we have to fall down before we can’t get up again? And writing is like that too: Accept that you must make a decision and are never able to tell the whole story. When a person admits that he or she is going to write something—this incredibly thrilling, joyful, heroic confession leaves the people around them with a queasy, disturbing feeling. Where no one thinks you should be less noisy, less amusing, less serious or less despairing. Italy is considered a difficult market, but when the Italian publisher, Sperling & Kupfer, buys a German title, the U. also pays attention—the Italians are known to have a keen eye for good material.

Der Sprachschatz der Männer (The Vocabulary of Men) Men and their words. Der Weg der Kriegerin (The Way of the Warrior Woman) New weapons for women. They look around, demanding sympathy for their thirty-minute delay. You book, your short story, is only the tip of the iceberg. Shouldn’t we leave it up to someone like Günter Grass? If you spend much time with people like this, you notice something else. Which brings us to what is probably the ultimate truth: No one will understand who you are and what you do better than other writers. When England acquires a book, the Americans get all territorial.

She meets Yann, the handsome painter, Genevieve, the fiery restaurant owner, Jemy-Remy, the heartbroken chef, and many more friends who open her eyes to new possibilities. Eighty-degree heat beats against my chilled, air-conditioned face. Washington is irrelevant to Jean-Marcel’s survival. You need her for revisions, which can begin only minutes after creation.

Among food, music and laughter, Marianne discovers a new version of herself – passionate, carefree and powerful. And when it does, Marianne is left with a choice: to step back into the known or to cast it aside for an exciting and rewarding future. Sometimes, the two sides switch off so rapidly that you are hardly aware of the transitions.

“Hits the sweet spot of bestsellers – it’s about old Europe, it’s about a bookseller, it’s got Paris in the title…and it’s got that kind of woo-woo mystical thing going on, like that other big translated fiction title The Alchemist.” Marianne Messman longs to escape a loveless marriage. Her advice is to split oneself into two personalities. One personality is the artist, complete with all her complexities—childish playfulness, curious enthusiasm, passion, narcissism, unplumbed depths, sensitivity, boozing, unbridled desire to create.